Today brings the films in my top 100 whose spots end in the digit 8! Arbitrary-ocity!
In today’s list we have two films that have two female leads (and one with no women at all), two or three horror films, and one movie by a bad director! And now, the list.
Well, I don’t want to be accused of micro-managing, but I cannot understand why I Heart Huckabees is on a list of DVD’s considered suitable for armed-forces entertainment. That self-indulgent crap is not suitable for combat troops.
The fastest movie since His Girl Friday, In the Loop is a hilarious look at the run-up to a war in the Middle East. Peter Capaldi’s frothy, foul-mouthed string-puller who has lost track of which strings are which is the breakout star of the film, and Tom Hollander plays a guy who seems to have risen to a position that he is horrendously unqualified for. It’s complicated, swift, and one of the best comedies I’ve seen.
As long as there’s you know, sex and drugs, I can do without the rock and roll.
The best of the faux-documentaries I’ve seen, This Is Spinal Tap is widely loved. There are so many great segments, and the frame of a documentaries makes everything even funnier. If you haven’t, check out the DVD commentary track, which sports the guys in character complaining about how poorly the movie makes them look. It’s almost as good as the regular movie.
Huw, I thought when I was a young man that I would conquer the world with truth. I thought I would lead an army greater than Alexander ever dreamed of, not to conquer nations, but to liberate mankind. With truth.
Notorious as the movie that beat Citiczen Kane for the Best Picture Oscar, How Green Was My Valley gets too little credit for being a great movie in its own right. A coming of age movie and a love letter to Wales, it feels like an epic while being a study of this family. It’s also impeccably directed, as you would expect from John Ford.
68. RoboCop (1987)
Let me make something clear to you. He doesn’t have a name. He’s a program. He’s a product.
Much like his other films (Total Recall, Starship Troopers, and even Showgirls) RoboCop is steeped in genre elements and is a darkly comic satire. And let’s throw a little Christ imagery in there, too. Also, lots of blood and stuff.
Now get the hell down in the cellar. You can be the boss down there, but I’m boss up here!
This is, I think, the only film on my list that is directed by a bad director. George A. Romero has continued to go back to his zombie filled universe with diminishing returns. I feel like he almost lucked into this one, working within such limited constraints can sometimes get you a better result than when you have even a little more freedom. Unlike any of the sequels, this movie is terrifying, oddly pretty, and the message is hidden rather than the raison d’être, which is a problem with all of his other movies. But this one is awesome.
It’ll be just like in the movies. Pretending to be somebody else.
I feel like I understood this movie less and less as it went along. Then I mostly understood it directly after watching it. And now I have no clue. I do know that it’s a fascinating film to watch, at times funny, strange, scary (the Winkies man still haunts my dreams) and gorgeous. Most of it probably doesn’t happen or something, right? If none of this makes any sense I suppose the writeup will emulate the film.
I don’t believe I have to be loyal to one side or the other. I’m simply asking questions.
12 guys yelling at each other in a room. None of them have names for most of the film, and you can really get to understand the people behind the juror number. Henry Fonda is, as always, an amazing actor, and Sidney Lumet gets a lot out of his single setting. It feels as claustrophobic as it should. And it’s a cool look at the U.S. justice system.
28. 127 Hours (2010)
This rock has been waiting for me my entire life. Its entire life, ever since it was a bit of a meteorite a million, billion years ago. In space. It’s been waiting, to come here. Right, right here. I’ve been moving towards it my entire life. The minute I was born, every breath that I’ve taken, ever action has been leading me to this crack on the out surface.
That’s a really long quote, so I’ll be brief here. A movie about being alone and the necessity of other people. James Franco’s performance practically is the movie, and although he’s a bit hit and miss in general, he’s truly great here. And Danny Boyle’s camera adds so much to the film, going crazy when Franco’s being frenetic, settling down as his body starts to slow. Check my review.
You’re telling me that I should take my daughter to a witch doctor? Is that it?
I have a lot of horror on my list and, though there are a few more above this one, I don’t know if any are as objectively terrifying as The Exorcist. Sound design really makes this one tick. And Ellen Burstyn’s performance grounds the film in a mother’s love and fear for her daughter. It’s as real as a horror movie gets.
You’re a cannibal and a dirty, no-good low-down little thief!
Borzage does transcendent romance so well, everybody else might as well give up. The tale of an injured soldier and a lovable scamp, the two must fix each other through the power of their love. When filmed with Borzage’s wonderful, poetic camera you believe that true love will conquer all.