Making a Star Wars movie in 2018 is fraught with dangers. Lurking within the dangerous fog that surrounds the only safe path are fans who have invested in personal visions of the universe based on recently de-canonized stories, critics eager to espouse opinions about franchise fatigue, and just when you think you’ve made it out with your precious cargo, here come journalists ready to pounce upon any reports of troubles on the set or changes in filmmakers. It’s almost impossible to avoid all of these traps and hungry monsters, and the worst thing is that there’s really no way of knowing when one will pop up. Did you hire directors whose trademark is their sense of spontaneity to make your movie that has to slot precisely into a rigid canon, then fire them when you realized that they weren’t going to button up and act right? Oops, there’s 6 months of bad news stories. Did you think it would be a good idea to focus a little on a prop that had accidentally become important after previous filmmakers cut the justifying scene from three movies ago? Well, now you’re scrambling to make up for a horrible movie that everybody hated (one that’s actually the best in the franchise), so now they’re going to hate your movie too. Is your film in part a prequel and in part a set-up for further untold stories? That’s not good storytelling, it’s just an excuse to be money-grubbing hacks. What’s a moviegoer to do?