How do you film something that’s real, that exists in physical reality, but is too small to see? Stalker uses color to indicate the irradiated Zone. Geiger counters have long been an aural signal that there are dangerous, invisible particles flying through the air. Onibaba turns to an uncanny mask to cover the devastating effect of nuclear radiation on the body. None of these quite captures the sense of havoc that the little buggers can wreak on our cells. Enter Godzilla (or Gojira, if you want). A monster awakened by the H-Bomb tests carried out by the United States after WWII, the giant, kinda cuddly-looking lizard is a walking, roaring, crunching embodiment of atomic power. He’s got breath that’ll melt everything in sight and he’s nigh unstoppable by conventional weapons. Here is the definitive depiction of radiation on screen, too bad it’s full of other stuff that is pretty darn boring.