Today’s portion of the list has more horror, more action, and more foreign language films. There’re two movies by one director, three movies about making movies, 5 adaptations of books, and only 3 movies from before I was born. Enjoy!
93. [Rec] (2007)
What happened to her eyes?
Though this is no longer my favorite of the found footage genre (that’d be Troll Hunter), [Rec] is one of the most intense films I’ve ever seen. I watched it late at night in my bedroom and every little sound made me jump. I enjoy the simplicity of the story – people trapped in a house, zombies – so the sequels that claim to expound on the mythology have nothing to give me. For a heart-racing good time, call [Rec]
83. Mother (2009)
There’s a meridian point that can loosen the knots in your heart and clear all horrible memories from you mind.
A mix of revenge and whodunit, Mother is mostly about a woman who learns how far she will go to protect her son. Kim Hye-ja gives one of the best performances in recent memory, and the final scene where she deals with the things she has done is superb.
Just lie here, Pop. I’ll take care of you now. I’m with you now. I’m with you.
You’ll notice that I have two mafia movies on my list. In general, the genre does nothing for me. I don’t care to see stupid people making stupid decisions and dying stupidly early because of them. The Godfather, despite being the best known of the genre, is not your typical mafia film. Michael Corleone doesn’t want to be the head of a mafia family, nor does he even want to be a part of it at all. But through tragic circumstances he gets pulled into a world he doesn’t want to be a part of. That’s interesting. It’s also why I don’t care for the sequel. By then he’s all about keeping control of his empire, which isn’t anything I care to see ever again.
Ah, people only know what you tell them, Carl.
This movie isn’t just set in the 60’s, the golden age of flight and all that jazz, it feels like a movie from the 60’s. Tom Hanks nails the no-nonsense FBI agent and DiCaprio comes into his own as the con man with plenty of confidence. With a bevy of other cameos and co-stars and a stunning look provided by Spielberg and Janusz Kaminski, this movie is fun and supremely well made.
You should probably put your bandit hat on now. Personally, I- I don’t have one, but I modified this tube sock.
I used to call this the only good Wes Anderson movie until I recently rewatched (post the creation of this list, if that means anything) The Royal Tenenbaums. It’s still his best film, stop-motion claymation allows him to be as meticulous as he craves to be, and Roald Dahl is the perfect match for his dry humor. With an all-star voice cast and a fun and moving story, Fantastic Mr. Fox is a modern masterpiece of children cinema that’s just as great for adults.
The secret impresses no one. The trick you use it for is everything.
Nolan’s best film by far, The Prestige allows for the narrative trickery that he likes to use. The story jumps back and forth through time and diaries and tricks and illusions. It is, at it’s heart, about storytelling and movie making. It’s a love letter to the way stories make us feel. That’s my bag.
33. The Thing (1982)
You guys think I’M crazy! Well, that’s fine! Most of you don’t know what’s going on around here, but I’m damn well sure SOME of you do! You think that thing wanted to be an animal? No dogs make it a thousand miles through the cold! No, you don’t understand! That thing wanted to be US!
The ultimate paranoia film, in The Thing you never know who’s who. Is your roommate an evil alien creature? Probably. The practical special effects are wonderful and make everything feel very real. It’ll be interesting to see how the remake/prequel does in this effect. Half of the trailer seems like a straight remake, copy and pasting scenes and dialogue. But then there’s some weird and interesting stuff towards the end that hopefully leads towards something new. Anyways, the original will always be a top-notch horror film.
Just look at the face: it’s vacant, with a hit of sadness. Like a drunk who’s lost a bet.
The epitome of the comedy/horror film, Shaun of the Dead is called a Zom-com by its creators and that’s a pretty apt description. I had no clue what I was getting into when I first saw it and that the film could go from beating a zombie up with pool cues to Queen’s Don’t Stop Me Now to a serious scene about a character’s death was surprising and fascinating to me. It’s a truly remarkable film.
I suppose I do have one unembarrassed passion. I want to know what it feels to care about something passionately.
Charlie Kaufman is known for having big ideas and somehow making those ideas work within a film but I don’t think he gets enough credit for the emotional elements of his films (outside of Eternal Sunshine, I suppose). Adaptation is about the impossible task he had to turn a book without a real story at the center into a film script. Adaptation is technically an adaptation of The Orchid Thief, but it’s really about the struggles of “Charlie Kaufman” and the characters in his film to find meaning and purpose in their lives.
I don’t believe in magic, a lot of superstitious hocus pocus. I’m going after a find of incredible historical significance, you’re talking about the boogie man. Besides, you know what a cautious fellow I am.
The best straight-up action movie ever made, Raiders is a perfect movie. There’s not one element out of place, nothing that I would change. It’s the best time you can have at the movies.