If you don’t understand the title here please check out this post and look there for the first part of the list, the _0’s. And now, the ten movies in the spots that end in the number 9.
99. Thirst (2009)
I don’t kill anyone, you know.
I like to call movies like this “messterpieces,” movies that are kind of crazy and out of control but still fascinating. The final scene is at once hilarious and sad. And beautiful. Like the rest of the movie.
89. Brick (2005)
No more of these informal chats! If you have a diciplinary issue with me, write me up or suspend me and I’ll see you at the Parent-Teacher conference.
The opposite of a messterpiece, Brick is supremely well constructed and thought through to the tiniest detail. The combination of noir and high school shouldn’t work but it does. An amazing debut.
79. Once (2006)
What’s the Czech for “Do you love him”?
A small little musical that has more heart than most films. The romance is so believable and the moment they first sing together gives me goosebumps. It feels more like a documentary than a typical musical.
69. Hot Fuzz (2007)
You’re not seriously gonna believe this man, are you? Are you? HE ISN’T EVEN FROM ‘ROUND HERE!
Minutely constructed, this movie takes at least two viewings to get all the jokes because the punchline often comes before the setup. It also works really well as a buddy cop movie, thanks to those three guys up there. The chemistry and direction are spot on.
Somebody help me, I’m being spontaneous!
Either before its time or a harbinger of doom that we didn’t heed, The Truman Show is a wonderful film. I love the pathos and the clever little touches like the commercials and the man in the moon controlling Truman’s life like the moon controls the tides.
You’re supposed to call me Dad. That’s what I am, your Dad.
Here I’ll declare that I don’t like gangster movies except for the ones that do something other than the rise-and-fall that you find in, say, Goodfellas. A History of Violence is one of those movies. Here’s a man escaped who gets dragged back into his old life, kicking and screaming. There’s even some of the good old-fashioned body horror that Cronenberg is known for in the action scenes and Viggo’s uncomfortable-ness in his own house and family.
Sure is a hard town for a fella to have a quiet game o’ poker in.
John Ford made a lot of westerns. This is the best of the straightforward examples. Henry Fonda is awesome as usual and Victor Mature is way cooler than Val Kilmer’s take on Doc Holliday. And there’s a fun bad guy role for Walter Brennan, who seems to be in every movie that John Ford ever made.
That’s why when somebody say, “When you get to the NBA, don’t forget about me,” and that stuff. Well, I should’ve said to them, “If I don’t make it, don’t you forget about me.”
One of the saddest movies I’ve ever seen. You see these two boys go from thinking they’ll be the next NBA stars to an uncertain future. Whether it be medical or motivational, these problems are both universal and unfortunately specific.
Walter, you’re wonderful, in a loathsome sort of way.
The fastest dialogue I’ve ever heard keeps the energy going from start to end. Cary Grant is king of the screwball comedy and Rosalind Russell is up to the challenge of keeping up and even getting ahead of him. Consistently rewatchable.
9. Alien (1979)
I can’t lie to you about your chances, but… you have my sympathies.
The ultimate haunted house movie… that’s also set in space. Sigourney Weaver faces off against a man in a big rubber suit, and it’s one of the scariest movies of all time. Ridley Scott understands the Jaws lesson of showing less monster to get more scares. With one great sequel (3), one horrible sequel (Aliens) and one crazy sequel (Resurrection), I can’t wait to see what Scott does in the prequel. The original is an astounding film.