Tag: The Truman Show

Shocktober Review: Picnic at Hanging Rock (1975)

Picnic at Hanging Rock

I picked this movie for Shocktober because (1) I own it and it’s therefore part of my Watch All the Things marathon, (2) It has a reputation as a semi-horror film, and (3) I really love some of Peter Weir’s later work, particularly Master and Commander and The Truman Show. What’s so surprising, then, about this movie is that it’s both scarier and way less of a horror film than I expected, and it is quite different from his testosterone fueled films that I admire so much. Picnic at Hanging Rock is a strange outback-gothic film that I can see revisiting as I get older and wiser.

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Top 100 Films (2013 Edition): Part 3 of 5

We cross the halfway point in today’s part of the list. Some of these are even more idiosyncratic, which I enjoy. I hope you do, too! Part 1 and Part 2 at the links.

60. Once

During the daytime people would want to hear songs that they know, just songs that they recognize. I play these song at night or I wouldn’t make any money. People wouldn’t listen.

A really lovely “realistic” musical. I already really like this kind of folksy rock music and with the bittersweet love story added on top I was destined to love this film. “Falling Slowly” is one of the most beautiful songs I’ve ever heard and the quaint setting in this film allows the viewer to fully invest in the story and emotions of the song. Just wonderful.

59. Cloud Atlas

Moments like this, I can feel your heart beating as clearly as I feel my own, and I know that separation is an illusion. My life extends far beyond the limitations of me.

An adaptation of the superb book on which this is based would have to do one of two things to work. Either it would have to be a delicate balancing act, one which tones down a lot of the philosophical mumbo jumbo which works well on the page but often doesn’t translate when people have to say the words, or it could steer into the skid and, by holding nothing back, transcend the silly and reach a level of emotional and technical wonder that few films even aspire to. This is the latter and, though it is a mess, it is a spectacular and thrilling mess that really got under my skin.

58. Tinker Tailor Soldier Spy

We’re not so different, you and I. We’ve both spent our lives looking for the weakness in one another’s systems. Don’t you think it’s time to recognize there is as little worth on your side as there is on mine?

Tinker Tailor Soldier Spy is perhaps the opposite of Cloud Atlas in every way except their ultimate quality. A quiet spy movie with only a few explosions to speak of, it relies instead upon intricate character work and a deliberately plotted story that takes its time getting where it’s going. Centered around a quiet but forceful Gary Oldman, the story takes many twists and turns and I’m still not sure I know all the ins and out of it as cold war spies deal with the end of their career’s work. A dense and marvelous clockwork spy drama.

57. The Shop Around the Corner

Flora, take a letter. Ah… To whom it may concern. Mr. Vadas has been in the employ of Matuschek & Company for the last two years, during which he has been very efficient as a stool pigeon, a troublemaker, and a rat.

This is one of the top 5 most delightful movies I’ve ever seen. A story of people who love each other in writing and hate each other in person which jumps to life thanks to the wonderful chemistry of Jimmy Stewart and Margaret Sullavan. The other characters get a bit to do, as well, giving it a nicely rounded happiness. An all time great Christmas movie.

56. The Tree of Life

Toscanini once recorded a piece sixty five times. You know what he said when he finished? “It could be better.” Think about it.

Here is a film so rich that subsequent rewatches can seemingly change the film itself, morphing it from a coming of age story to a parable about mothers and fathers to a study of the evolution of man and nature together.  Beautifully shot, a given for Terrence Malick, it mushes all kinds of stuff together into one floaty whole.

55. Throne of Blood

Admirable, my Lord. You, who would soon rule the world, allow a ghost to frighten you.

Throne of Blood is what happens when a master of cinema decides to do a mashup of a traditional Japanese theatrical style and one of the best plays Shakespeare ever wrote. Decidedly over the top actors play on relatively sparse stages and still the creepy ghosts and witches spook and the royal plotting delights. Our hero meets his end by a thousand arrows and it’s intensity defined.

54. The Quiet Man

There’ll be no locks or bolts between us, Mary Kate… except those in your own mercenary little heart!

John Ford’s most John Ford-y movie doesn’t even take place in the West! It does have all the myth-making and lush beauty (especially on the recently released Blu-ray) you come to expect with him, and the central romantic pairing totally works. Maureen O’Hara might be the only person who could ever put up with John Wayne’s particular brand of manliness. There’s some questionable sexism type stuff that happens here, but taken in the spirit of the film it’s only a minor bump in an otherwise exquisitely gorgeous road.

53. The Man Who Shot Liberty Valance

Hallie’s your girl now. Go back in there and take that nomination. You taught her how to read and write; now give her something to read and write about!

One of John Ford’s more complex westerns is at least in part a meta-western about the end of the wild west and the beginning of bringing civilization to those untamed lands. Those two opposing forces are embodied by John Wayne (of course) and Jimmy Stewart (again, of course) with Vera Miles trapped in between and Lee Marvin providing the cold violence to get the story going. Shot in beautiful black and white, this movie does all kinds of nuanced things that one unfamiliar with the director and genre might not expect.

52. Manhattan

What are you telling me, that you’re, you’re, you’re gonna leave Emily, is this true? And, and run away with the, the, the winner of the Zelda Fitzgerald emotional maturity award?

I’ve still only seen three Woody Allen movies, but each of them (Annie Hall and Midnight in Paris being the other two) is great in its own right. Manhattan is consistently funny and really pretty to look at, much like Diane Keaton. It’s one of those movies that I can see myself coming back to every other year or so.

51. The Long Day Closes

“Wish I knew if he knew what I’m dreaming of.”

Yet another coming of age story graces my list. And again it delves into issues of religion and sexuality and escape-via-film. A deeply felt film which has stuck with me for over a year now, one which I find myself returning to in my mind quite often. The recently announced Criterion version will be a must-buy when it comes out in January.

50. The Truman Show

I have given Truman the chance to lead a normal life. The world, the place you live in, is the sick place.

The Truman Show has only gained cultural relevance in the years since its release with the proliferation of social media instigating a lot of intentional oversharing of a person’s life. Centered around a career best performance from Jim Carrey and smart direction by Peter Weir, this movie is one for the ages as it is entirely of its time and feels specially timeless.

49. Master and Commander: The Far Side of the World

No, that’s just dried blood. THOSE are his brains.

There really needs to be another movie in this series because Russell Crowe and Paul Bettany are too much fun to watch when they go sailing. The ship fights are great and the naturalism subplot adds a really interesting historical and thematic hue to the proceedings. And with a mostly child-populated cast it comes off as a well acted and well directed swashbuckler of a time.

48. The Seventh Seal

I shall remember this moment: the silence, the twilight, the bowl of strawberries, the bowl of milk. Your faces in the evening light. Mikael asleep, Jof with his lyre. I shall try to remember our talk. I shall carry this memory carefully in my hands as if it were a bowl brimful of fresh milk. It will be a sign to me, and a great sufficiency.

For a movie about death and the absence of God, The Seventh Seal gets a lot of play out of being kind of pleasant, especially in its middle section. It’s also pretty funny, given all those things. There are intense and scary scenes and a lot of deep philosophizing, but it’s those other, calmer scenes which work to make the existential angst even more effective and give it a spot on my list.

47. The Act of Killing

You acted so well but you can stop crying now.

As a movie about movies, The Act of Killing is a really fascinating look at the power of film to play into ideals and perverse fantasies. As a movie about insane people, it’s even scarier. It’s a truly singular documentary that leaves the viewer shocked, grossed out, and thinking.

46. In Bruges

A great day this has turned out to be. I’m suicidal, me mate tries to kill me, me gun gets nicked and we’re still in fookin’ Bruges!

Last year Martin McDonagh finally released his follow up to this sweet-and-sour little movie and, though it wasn’t as good as the intricately plotted and intimately performed In Bruges, Seven Psychopaths at least proved that he’s not a one trick pony in the film world. Though, if In Bruges was a once in a lifetime kind of thing I’d be cool with that because it’s just so darn good.

45. Haxan: Witchcraft through the Ages

And then we will console ourselves with the notion that the mildly temperate shower of the clinic has replaced the barbaric methods of medieval times.

Haxan is a compelling mishmash of “documentary” and reenactment footage compiled to both scare and draw parallels between our treatment of so called witches in the past and the mentally ill in the present (of 1922). It’s weird and totally interesting.

44. His Girl Friday

Of course he had to have a gun to re-enact the crime with. And who do you think supplied it? Peter B. Hartwell. B For brains.

How hilariously fast can a movie possibly be? I think this one pretty much maxes out both categories. Howard Hawks pairs Cary Grant and Rosalind Russell plus a guy that looks a lot like Ralph Bellamy to perfection. All wits and barbs here, and it’s all super fun.

43. Girl Walk//All Day

You should always be happy.

The unparalleled joy of Girl Walk//All Day can hardly be explained in mere words, so for the first and only time in this countdown, let a clip from this full album length dance video suffice. It’s got a flowing artistry that is really something special and can be seen in its entirety on youtube.

42. North by Northwest

Not that I mind a slight case of abduction now and then, but I have tickets for the theater this evening, to a show I was looking forward to and I get, well, kind of unreasonable about things like that.

And look, another Cary Grant movie! Hitchcock deftly plays into action movie tropes while maintaining a really fun romance and his impeccable direction. Just really well made.

41. Doubt

I will step outside the church if that’s what needs to be done, ’til the door should shut behind me! I will do what needs to be done, though I’m damned to Hell! You should understand that, or you will mistake me.

You may have figured out by now that I like super-verbal films. Throw two or three people into a room and get them talking and I’ll be in, especially when it’s the likes of Meryl Streep and Philip Seymour Hoffman (plus scenes with Viola Davis and Amy Adams) speaking the words of John Patrick Shanley. Doubt is a triumph of talking that doesn’t skimp on more typically movie-ish elements in the direction.

See, wasn’t that fun? The lower 60 are now done and the top 40 on their way sometime soon! Let me know anything you feel like saying here in the comments and check back for the penultimate section.

Top 100 Films List (2013): Movies about God(s)

Welcome to the first real post about my new top 100 movies list! It’s very exciting, at least to me. The first grouping will be, as the title suggests, movies about God(s). As a not-religious person my interest here is not to affirm my own point of view or force it upon you, but to see how movies about god(s) and religion raise questions that matter deeply to us as humans. How does the presence or lack of a god inform our lives? How do we cope when we try to approach something beyond our understanding? Who do we blame when something goes wrong, or praise when something goes right? Religion has been a large part of our cultural heritage and movies are no different. Without further ado, here are, in alphabetical order, the movies from my top 100 list that are, in some way, about God(s).

Ok, have you voted? That’s a poll, go vote on it! Pick one that is your favorite. Do it!

Now that we’ve got that out of the way, let’s talk a little. First, movies about playing God. We have within us a deep desire to create and specifically to create life. That is often seen as the territory of God or Gods, depending on the creation myth you like best. Through movies we’ve come up with some fantastic creation myths of our own, none better than Jurassic Park. Here’s an example of creating life gone wrong, bringing back what should have been left dead, or at least should have been created with a little more care and foresight. “God creates dinosaurs. God destroys dinosaurs. God creates man. Man destroys God. Man creates dinosaurs.” This pretty accurately describes the thought process up to the beginning of the movie as wryly stated by the one and only Jeff Goldblum. Laura Dern counters with the potential plot of the rest of the film, “Dinosaurs eat man … woman inherits the earth.” But Jurassic Park isn’t the only movie about humans trying to reach god-like status as creators of life. Blade Runner, too, concerns itself with the perils of trying to re-create humans and improve upon them. At what point does that creation turn on its creators for being imperfect as some would argue we have done with God? Roy Batty is perhaps the most human character in the film as he struggles with this question, though beneath his synthetic skin an artificial heart beats and a computer thinks. The Truman Show goes on a bit of a different path as a tv producer creates not life but a life for the titular character. Everything is controlled and broadcast for all to see and though it may seem idyllic initially, soon the curated life becomes a prison, which leads the viewer to ask whether or not the same would be the case if we were to know with certainty that our lives are curated in a similar respect.

Some movies warn of the perils of religion and religious thinking. Doubt, for example, presents some obvious issues with the concept of certainty when it comes to things that are immensely complex, whether it be belief in God or the relationship between a man and a boy. That film does a wonderful job of not answering any of the factual questions we have as that would not accurately reflect the situation the characters find themselves in. Haxan: Witchcraft through the Ages is an early documentary that explores the way religion has treated anybody that isn’t normal in the society of the time. Even in 1922 the movie is smart enough to link this bad behavior to the treatment of mental illness in “modern” times, a situation that hasn’t improved as much as it should. In The Wicker Man a Christian detective is brought to an island of pagans to investigate a missing girl. It’s a clash of religious ideas that is as loopy as it is unsettling, with its nude ritual scenes and creepy costumes. Fanny and Alexander is a movie in which an artistic family is subjected to the strict religious rules thanks to a mother’s second marriage. The bishop she marries is one of the greatest screen villains precisely because he is almost always certain he is doing the right thing. The Night of the Hunter has a similar father figure, and though his evil is even more apparent, it is no less scary.

It’s not always so obvious, though, the insidious implications of religion. The Long Day Closes shows a boy struggling with his sexual identity in the face of religious doctrine which states that he is ill-formed. The Seventh Seal demonstrates that life during the Black Plague was a nasty one, and religions reflected and enhanced that nastiness with their own misguided beliefs. In A Serious Man, the Job story from the bible is reinterpreted for the 60’s as a Jewish man’s life is ripped apart in any way possible while his religious leaders offer little comfort. And finally, in There Will Be Blood, capitalism is set against harsh Christianity as two ideals enter and both lose. There is very little up side to either as the deep-seated flaws are laid out in the forms of Daniel Plainview and Eli Sunday. Metropolis, too, shows us that economics are nothing to be worshiped.

Of course, God and religion are really just one way of trying to understand things that are bigger than ourselves and beyond our current understandings. As our scientific knowledge grows we answer questions with facts that we had once answered with gods, though new questions always appear in relation to even crazier things that happen in the natural world. Sunshine shows us a man who has lived so close to the sun for so long that he has gone crazy, believing that the sun is God incarnate and that he is an angel sent to destroy humanity. Cloud Atlas has, in one of its stories, a woman who becomes a god-figure thanks to her deeply human act of freeing millions of slaves. How one person can be so good is deified through countless retellings of a story. The Devil’s Backbone shows young orphans as they try to comprehend the insane violence of the Spanish Civil War through an unexploded bomb in the middle of their orphanage and tales of a ghostly kid who will exact revenge. Melancholia is a planet that appears out of nowhere and is on a collision course with the earth. As it nears us, a young woman deals with depression and the pressures of life. The Tree of Life and The Fountain are twins of a sort, both of which examine the role of God in our day to day lives, however mundane or grand they may be.

We also have, in movies, a great way of exploring whether or not God even exists. The Seventh Seal and Doubt ask the question early and often, while movies like Raiders of the Lost Ark, Fantasia, The Exorcist, and Contact answer the question with a resounding yes, and that God is kinda scary. Fantasia and Throne of Blood explore non-christian religions through sometimes creepy and sometimes glorious imagery. Haxan, too, has a terrifyingly beautiful vision of hell, while Contact‘s heaven might be some distant planet. Holy Motors posits that movies are our new religion where we can make our own heavens and hells and realities. That’s the one that appeals to me most, I think. Cameras and projectors as instruments of revelation. That’s my kind of religion.

That’s enough for this subject, I think. I hope you voted. I’ve compiled this list on Letterboxd as well, so you can check off what you’ve seen. If you have any thoughts on what I’ve shared here, or a movie you think might fit this topic that you love, or anything at all, please leave a comment below! Tune in soon for a new topic of consideration.

Top 100 Films List (2012 edition)

Surprise bonus list! Every year I revise my top movies list and this year I didn’t spend much time on the ordering, outside adding in ten new movies and dropping out ten old movies. The new movies are underlined. Click the movie title if it’s a link for a full review. I decided to not go into the full detail that I did last year, because those are still available for you to peruse at your leisure. I did pick out a new quote for each entry, though, so I hope you still enjoy it. Here we go.

100. Scream

“Sidney, how does it feel to be almost brutally butchered? People want to know. They have a right to know! How does it feel?”

99. This is Spinal Tap

“May I start by saying how thrilled we are to have you here. We are such fans of your music and all of your records. I’m not speaking of yours personally, but the whole genre of the rock and roll.”

98. A Serious Man

“You understand the dead cat? But… you… you can’t really understand the physics without understanding the math. The math tells how it really works. That’s the real thing; the stories I give you in class are just illustrative; they’re like, fables, say, to help give you a picture. An imperfect model. I mean – even I don’t understand the dead cat. The math is how it really works.”

97. The Lion in Winter

“You’re so deceitful you can’t ask for water when you’re thirsty. We could tangle spiders in the webs you weave.”

96. The Fly

“I’m saying… I’m saying I – I’m an insect who dreamt he was a man and loved it. But now the dream is over… and the insect is awake.”

95. All the President’s Men

“You’re both paranoid. She’s afraid of John Mitchell, and you’re afraid of Walter Cronkite.”

94. The Texas Chain Saw Massacre

“You could have dinner with us… my brother makes good head cheese! You like head cheese?”

93. Mother

“There’s a meridian point that can loosen the knots in your heart and clear all horrible memories from you mind.”

92. Days of Heaven

“You know how people are. You tell them something, they start talking.”

91. Exit Through the Gift Shop

“I think the joke is on… I don’t know who the joke’s on – really. I don’t even know if there is a joke.”

90. To Kill a Mockingbird

“There just didn’t seem to be anyone or anything Atticus couldn’t explain. Though it wasn’t a talent that would arouse the admiration of any of our friends, Jem and I had to admit he was very good at that – but that was *all* he was good at… we thought.”

89. Apocalypto

“I am Jaguar Paw, son of Flint Sky. My Father hunted this forest before me. My name is Jaguar Paw. I am a hunter. This is my forest. And my sons will hunt it with their sons after I am gone.”

88. Once

“What’s the Czech for “Do you love him”?”

87. How Green Was My Valley

“Everything I ever learnt as a small boy came from my father, and I never found anything he ever told me to be wrong or worthless. The simple lessons he taught me are as sharp and clear in my mind as if I had heard them only yesterday.”

86. Punch-Drunk Love

“I have to get more pudding for this trip to Hawaii. As I just said that out loud I realize it sounded a little strange but it’s not.”

85. Paths of Glory

“I apologize… for not being entirely honest with you. I apologize for not revealing my true feelings. I apologize, sir, for not telling you sooner that you’re a degenerate, sadistic old man. And you can go to hell before I apologize to you now or ever again!”

84. Harry Potter and the Order of the Phoenix

“Maybe you don’t have to do this all by yourself, mate.”

83. Manhattan

“I had a mad impulse to throw you down on the lunar surface and commit interstellar perversion.”

82. In Bruges

“Number One, why aren’t you in when I fucking told you to be in? Number Two, why doesn’t this hotel have phones with fucking voicemail and not have to leave messages with the fucking receptionist? Number Three, you better fucking be in tomorrow night when I fucking call again or there’ll be fucking hell to pay. I’m fucking telling you – Harry.”

81. The Godfather

“You talk about vengeance. Is vengeance going to bring your son back to you or my boy to me?”

80. Metropolis

“There can be no understanding between the hand and the brain unless the heart acts as mediator.”

79. A Fish Called Wanda

“To call you stupid would be an insult to stupid people! I’ve known sheep that could outwit you. I’ve worn dresses with higher IQs. But you think you’re an intellectual, don’t you, ape?”

78. The Proposition

“I know where Arthur Burns is. It is a God-forsaken place. The blacks won’t go there, not the tracks; not even wild men. I suppose, in time, the bounty hunters will get him. But I have other plans, I aim to bring him down – I aim to show that he’s a man like any other. I aim to hurt him.”

77. Repulsion

“I must get this crack mended.”

76. The Shop Around the Corner

“Well I really wouldn’t care to scratch your surface, Mr. Kralik, because I know exactly what I’d find. Instead of a heart, a hand-bag. Instead of a soul, a suitcase. And instead of an intellect, a cigarette lighter… which doesn’t work.”

75. Hot Fuzz

“You wanna be a big cop in a small town? Fuck off up the model village.”

74. The Conversation

“I’m not following you, I’m looking for you. There’s a big difference.”

73. RoboCop

“Let me make something clear to you. He doesn’t have a name. He has a program. He’s product.”

72. Young Mr. Lincoln

“I may not know much of law Mr. Felder, but I know what’s right and what’s wrong. And I know what you’re asking is wrong.”

71. Brazil

“Listen, this old system of yours could be on fire and I couldn’t even turn on the kitchen tap without filling out a 27b/6… Bloody paperwork.”

70. Eyes Wide Shut

“I have seen one or two things in my life but never, never anything like this.”

69. The General

“Heroes of the day.”

68. Catch Me If You Can

“For the last six months, he’s gone to Harvard and Berkeley. I’m betting he can get a passport.”

67. A Streetcar Named Desire

“But some things are not forgivable. Deliberate cruelty is not forgivable! It is the one unforgivable thing, in my opinion, and the one thing of which I have never, never been guilty.”

66. Synecdoche, New York

“I know how to do the play now. It will all take place over the course of one day. And that day will be the day before you died. That day was the happiest day of my life. Then I’ll be able to live it forever. See you soon.”

65. Moonrise Kingdom

“I love you, but you have no idea what you’re talking about.”

64. The Mortal Storm

“I’ve never prized safety, Erich, either for myself or my children. I prized courage.”

63. The Truman Show

“If his was more than just a vague ambition, if he was absolutely determined to discover the truth, there’s no way we could prevent him.”

62. The Night of the Living Dead

“We may not enjoy living together, but dying together isn’t going to solve anything.”

61. The Brothers Bloom

“This was a story about a girl who could find infinite beauty in anything, any little thing, and even love the person she was trapped with. And i told myself this story until it became true. Now, did doing this help me escape a wasted life? Or did it blind me so I didn’t want to escape it? I don’t know, but either way I was the one telling my own story…”

60. The Wicker Man

“You’ll simply never understand the true nature of sacrifice.”

59. Children of Men

“And now one for all the nostalgics out there. A blast from the past all the way back from 2003, that beautiful time when people refused to accept that the future was just around the corner.”

58. Hellboy II: The Golden Army

“Demon! What are you waiting for? This is what you want, isn’t it? Look at it. The last of its kind. Like you and I. If you destroy it, the world will never see its kind again… You have more in common with us than with them.”

57. The Quiet Man

“No patty-fingers, if you please. The proprieties at all times. Hold on to your hats.”

56. Fantastic Mr. Fox

“Why a fox? Why not a horse, or a beetle, or a bald eagle? I’m saying this more as, like, existentialism, you know? Who am I? And how can a fox ever be happy without, you’ll forgive the expression, a chicken in its teeth?”

55. 7th Heaven

“I work in a sewer but I live near the stars.”

54. 2001: A Space Odyssey

“I know I’ve made some very poor decisions recently, but I can give you my complete assurance that my work will be back to normal. I’ve still got the greatest enthusiasm and confidence in the mission. And I want to help you.”

53. The Incredibles

“No matter how many times you save the world, it always manages to get back in jeopardy again. Sometimes I just want it to stay saved! You know, for a little bit? I feel like the maid; I just cleaned up this mess! Can we keep it clean for… for ten minutes!”

52. A History of Violence

“This isn’t a completely dead eye, it still works a bit. The problem is, the only thing I can see with it is Joey Cusack, and it can see right through him… right through your husband, Edie. I see what’s inside him, what makes him tick. He’s still the same guy. He’s still crazy fucking Joey! And you know it, don’t you? How much do you really know about your husband, Edie? Where he’s from, where he’s been, his life before he met you some 20 years ago?”

51. Mulholland Dr.

“It’ll be just like in the movies. Pretending to be somebody else.”

50. Out of Sight

“I’ve, uh, vertically integrated myself. You know, diversified and shit, and now I’m into the occasional grand larceny, home invasion… shit like that.”

49. The Diving Bell and the Butterfly

“Hold fast to the human inside of you, and you’ll survive”

48. The Grapes of Wrath

“Tom, you gotta learn like I’m learnin’. I don’t know it right yet myself. That’s why I can’t ever be a preacher again. Preachers gotta know. I don’t know. I gotta ask.”

47. The Social Network

“I think if your clients want to sit on my shoulders and call themselves tall, they have the right to give it a try – but there’s no requirement that I enjoy sitting here listening to people lie. You have part of my attention – you have the minimum amount. The rest of my attention is back at the offices of Facebook, where my colleagues and I are doing things that no one in this room, including and especially your clients, are intellectually or creatively capable of doing.”

46. The Prestige

“You never understood, why we did this. The audience knows the truth: the world is simple. It’s miserable, solid all the way through. But if you could fool them, even for a second, then you can make them wonder, and then you… then you got to see something really special… you really don’t know?… it was… it was the look on their faces…”

45. Die Hard

“You know my name but who are you? Just another American who saw too many movies as a child? Another orphan of a bankrupt culture who thinks he’s John Wayne? Rambo? Marshal Dillon?”

44. Chinatown

“After you’ve worked with a man a certain length of time, you come to know his habits, his values – you come to know him – and either he’s the kind who chases after women or he isn’t.”

43. Where the Wild Things Are

“Happiness isn’t always the best way to be happy.”

42. Throne of Blood

“Admirable, my Lord. You, who would soon rule the world, allow a ghost to frighten you.”

41. My Darling Clementine

“I ain’t gonna kill you. I hope you live a hundred years… so you’ll feel just a little what my pa’s gonna feel. Now get out of town – start wandering!”

40. 12 Angry Men

“Well, I’m not used to supposin’. I’m just a workin’ man. My boss does all the supposin’ – but I’ll try one. Supposin’ you talk us all out of this and, uh, the kid really did knife his father?”

39. Black Swan

“Perfect? I’m not perfect. I’m nothing.”

38. Reservoir Dogs

“If you shoot this man, you die next. Repeat. If you shoot this man, you die next.”

37. Zodiac

“Do you know more people die in the East Bay commute every three months than that idiot ever killed? He offed a few citizens, wrote a few letters, then faded into footnote… Not that I haven’t been sitting here idly, waiting for you to drop by and reinvigorate my sense of purpose”

36. Kiss Kiss, Bang Bang

“I tell him about destiny; he’s shaking his head. About dreamgirls; he doesn’t care. I mention the underwear thing? He has a *fucking conniption*. And you? How ’bout it, filmgoer? Have you solved the case of the – the dead people in L.A.? Times Square audiences, please don’t shout at the screen, and stop picking at that, it’ll just get worse.”

35. The Thing

“I dunno what the hell’s in there, but it’s weird and pissed off, whatever it is.”

34. North by Northwest

“Now you listen to me, I’m an advertising man, not a red herring. I’ve got a job, a secretary, a mother, two ex-wives and several bartenders that depend upon me, and I don’t intend to disappoint them all by getting myself “slightly” killed.”

33. Princess Mononoke

“Look, everyone! This is what hatred looks like! This is what it does when it catches hold of you! It’s eating me alive, and very soon now it will kill me! Fear and anger only make it grow faster!”

32. The Man Who Shot Liberty Valance

“Liberty Valance defeated. D-E-F-E-E… T-E-D? The unsteady hand betrays. What’s the matter, Mr. Peabody? Are you afraid? The answer is indub… yes. No courage left. Well, courage can be purchased at yon tavern. But have we credit? That is the question. Have we credit? Well, credit is cheap. Wait for me, old servant of the public wheel. Our shining hour is yet to come. As for you, Horace Greeley, go west, old man, and grow young with the country.”

31. Hoop Dreams

“Four years ago that’s all I used to dream about was playing in the NBA. I don’t really dream about it like that anymore. You know, even through I love playing basketball, you know I want to do other things with my life too.”

30. 127 Hours

“Aron from Loser Canyon, Utah. How do you know so much? Well, I’ll tell you how I know so much. I volunteer for the rescue service. You see, I’m something of a… well, a big fucking hard hero. And I can do everything on my own, you see? I do see! Now… Is it true that despite, or maybe because you’re a big fucking hard hero… you didn’t tell anyone where you were going? Yeah. That’s absolutely correct. Anyone…? Anyone. Oops… Oops. Oops.”

29. The Night of the Hunter

“You know, when you’re little, you have more endurance than God is ever to grant you again. Children are man at his strongest. They abide.”

28. Fargo

“There’s more to life than a little money, you know. Don’tcha know that? And here ya are, and it’s a beautiful day. Well. I just don’t understand it.”

27. Sunshine

“For seven years I spoke with God. He told me to take us all to Heaven.”

26. Inglourious Basterds

“I love rumors! Facts can be so misleading, where rumors, true or false, are often revealing.”

25. Halloween

“I watched him for fifteen years, sitting in a room, staring at a wall, not seeing the wall, looking past the wall – looking at this night, inhumanly patient, waiting for some secret, silent alarm to trigger him off. Death has come to your little town, Sheriff. Now you can either ignore it, or you can help me to stop it.”

24. The Assassination of Jesse James by the Coward Robert Ford

“Well, if you’ll pardon my saying so, I guess it is interesting, the many ways you and I overlap and whatnot. You begin with our Daddies. Your daddy was a pastor of the New Hope Baptist Church; my daddy was a pastor of a church at Excelsior Springs. Um. You’re the youngest of the three James boys; I’m the youngest of the five Ford boys. Between Charley and me, is another brother, Wilbur here, with six letters in his name; between Frank and you was a brother, Robert, also with six letters. Robert is my Christian name. You have blue eyes; I have blue eyes. You’re five feet eight inches tall. I’m five feet eight inches tall. Oh me, I must’ve had a list as long as your nightshirt when I was twelve, but I’ve lost some curiosities over the years.”

23. Shaun of the Dead

“Lizzy, how can you put your faith in a man you spectacularly binned for being unreliable? A man whose idea of a romantic nightspot and an impenetrable fortress are the same thing? It’s… This is a pub! We are in a pub! What are we going to do now?”

22. Fantasia

“What you will see on the screen is a picture of the various abstract images that might pass through your mind if you sat in a concert hall listening to this music. At first, you’re more or less conscious of the orchestra. So our picture opens with a series of impressions of the conductor and the players. Then the music begins to suggest other things to your imagination. They might be, oh, just masses of color or they may be cloud forms or great landscapes or vague shadows or geometrical objects floating in space”

21. The Lady Eve

“You don’t happen to be a mouthpiece, do you? You talk like a law school.”

20. Toy Story 3

“Now Woody, he’s been my pal for as long as I can remember. He’s brave, like a cowboy should be. And kind, and smart. But the thing that makes Woody special, is he’ll never give up on you… ever. He’ll be there for you, no matter what.”

19. His Girl Friday

“Walter, you’re wonderful, in a loathsome sort of way.”

18. The Exorcist

“Have you ever heard of exorcism? Well, it’s a stylized ritual in which the rabbi or the priest try to drive out the so-called invading spirit. It’s been pretty much discarded these days except by the Catholics who keep it in the closet as a sort of an embarrassment, but uh, it has worked. In fact, although not for the reasons they think, of course. It’s purely a force of suggestion. The victim’s belief in possession is what helped cause it, so in that same way, a belief in the power of exorcism can make it disappear.”

17. The Long Day Closes

“Erosion is the cumulative effect of a great variety of processes – full stop. In general, these can be divided into five groups. One. River erosion. Two. Rain erosion. Three. Glacial erosion. Four. Wind erosion. And five. marine erosion. Life also cooperates in the work of destruction.”

16. The Fall

“What a mystery this world, one day you love them and the next day you want to kill them a thousand times over.”

15. Three Comrades

“So long as you don’t give in, you’re bigger than what happens to you.”

14. Miller’s Crossing

“All in all not a bad guy – if looks, brains and personality don’t count.”

13. Adaptation

“You and I share the same DNA. Is there anything more lonely than that?”

12. Jaws

“You know that was the time I was most frightened… waitin’ for my turn. I’ll never put on a lifejacket again. So, eleven hundred men went in the water; 316 men come out and the sharks took the rest, June the 29th, 1945. Anyway, we delivered the bomb.”

11. City of God

“A kid? I smoke, I snort. I’ve killed and robbed. I’m a man.”

10. The Searchers

“Well, Reverend, that tears it! From now on, you stay out of this. All of ya. I don’t want you with me. I don’t need ya for what I got to do.”

9. Alien

“I admire its purity. A survivor… unclouded by conscience, remorse, or delusions of morality.”

8. Lucky Star

“You’re a cannibal and a dirty, no-good low-down little thief!”

7. Jurassic Park

“You never had control, that’s the illusion! I was overwhelmed by the power of this place. But I made a mistake, too, I didn’t have enough respect for that power and it’s out now. The only thing that matters now are the people we love. Alan and Lex and Tim. John, they’re out there where people are dying.”

6. The Shining

“I think a lot of things happened right here in this particular hotel over the years. And not all of ’em was good.”

5. There Will Be Blood

“Drainage! Drainage, Eli! Drained dry, you boy! If you have a milkshake and I have a milkshake and I have a straw and my straw reaches across the room and starts to drink your milkshake. I drink your milkshake! I drink it up!”

4. Blade Runner

“Not very sporting to fire on an unarmed opponent. I thought you were supposed to be good. Aren’t you the “good” man? C’mon, Deckard. Show me what you’re made of.”

3. Raiders of the Lost Ark

“You and I are very much alike. Archeology is our religion, yet we have both fallen from the pure faith. Our methods have not differed as much as you pretend. I am but a shadowy reflection of you. It would take only a nudge to make you like me. To push you out of the light.”

2. Pan’s Labyrinth

“You’re getting older, and you’ll see that life isn’t like your fairy tales. The world is a cruel place. And you’ll learn that, even if it hurts.”

1. Magnolia

“Want to know the common element for the entire group?… I’ll tell you the answer: I’ll tell you, ’cause I had that one. I had that question… Carbon. Carbon. In pencil lead, it’s in the form of graphite and in coal, it’s mixed up with other impurities and in the diamond it’s in hard form. “Well… all we were asking was the common element, Donnie… but thank you for all that unnecessary knowledge… haha, kids! Heads so full of useless knowledge. Thank you. Thank you.” And the book says: “We may be through with the past… but the past is not through with us!” And… no, it is not dangerous to confuse children with angels!”

Top 100 Films: The _9’s

If you don’t understand the title here please check out this post and look there for the first part of the list, the _0’s. And now, the ten movies in the spots that end in the number 9.

99. Thirst (2009)

Directed by Park Chan-wook. Starring Song Kang-ho  and Kim Ok-bin

I don’t kill anyone, you know.

I like to call movies like this “messterpieces,” movies that are kind of crazy and out of control but still fascinating. The final scene is at once hilarious and sad. And beautiful. Like the rest of the movie.

89. Brick (2005)

Directed by Rian Johnson. Starring Joseph Gordon-Levitt and Lukas Haas

No more of these informal chats! If you have a diciplinary issue with me, write me up or suspend me and I’ll see you at the Parent-Teacher conference.

The opposite of a messterpiece, Brick is supremely well constructed and thought through to the tiniest detail. The combination of noir and high school shouldn’t work but it does. An amazing debut.

79. Once (2006)

Directed by John Carney. Starring Glen Hansard and Markéta Irglová

What’s the Czech for “Do you love him”?

A small little musical that has more heart than most films. The romance is so believable and the moment they first sing together gives me goosebumps. It feels more like a documentary than a typical musical.

69. Hot Fuzz (2007)

Directed by Edgar Wright. Starring Simon Pegg and Nick Frost

You’re not seriously gonna believe this man, are you? Are you? HE ISN’T EVEN FROM ‘ROUND HERE!

Minutely constructed, this movie takes at least two viewings to get all the jokes because the punchline often comes before the setup. It also works really well as a buddy cop movie, thanks to those three guys up there. The chemistry and direction are spot on.

59. The Truman Show (1998)

Directed by Peter Weir. Starring Jim Carrey and Laura Linney

Somebody help me, I’m being spontaneous!

Either before its time or a harbinger of doom that we didn’t heed, The Truman Show is a wonderful film. I love the pathos and the clever little touches like the commercials and the man in the moon controlling Truman’s life like the moon controls the tides.

49. A History of Violence (2005)

Directed by David Cronenberg. Starring Viggo Mortensen and Maria Bello

You’re supposed to call me Dad. That’s what I am, your Dad.

Here I’ll declare that I don’t like gangster movies except for the ones that do something other than the rise-and-fall that you find in, say, Goodfellas. A History of Violence is one of those movies. Here’s a man escaped who gets dragged back into his old life, kicking and screaming. There’s even some of the good old-fashioned body horror that Cronenberg is known for in the action scenes and Viggo’s uncomfortable-ness in his own house and family.

39. My Darling Clementine (1946)

Directed by John Ford. Starring Henry Fonda and Victor Mature

Sure is a hard town for a fella to have a quiet game o’ poker in.

John Ford made a lot of westerns. This is the best of the straightforward examples. Henry Fonda is awesome as usual and Victor Mature is way cooler than Val Kilmer’s take on Doc Holliday. And there’s a fun bad guy role for Walter Brennan, who seems to be in every movie that John Ford ever made.

29. Hoop Dreams (1994)

Directed by Steve James. Featuring William Gates and Arthur Agee

That’s why when somebody say, “When you get to the NBA, don’t forget about me,” and that stuff. Well, I should’ve said to them, “If I don’t make it, don’t you forget about me.”

One of the saddest movies I’ve ever seen. You see these two boys go from thinking they’ll be the next NBA stars to an uncertain future. Whether it be medical or motivational, these problems are both universal and unfortunately specific.

19. His Girl Friday (1940)

Directed by Howard Hawks. Starring Cary Grant and Rosalind Russell

Walter, you’re wonderful, in a loathsome sort of way.

The fastest dialogue I’ve ever heard keeps the energy going from start to end. Cary Grant is king of the screwball comedy and Rosalind Russell is up to the challenge of keeping up and even getting ahead of him. Consistently rewatchable.

9. Alien (1979)

Directed by Ridley Scott. Starring Sigourney Weaver and Tom Skerritt

I can’t lie to you about your chances, but… you have my sympathies.

The ultimate haunted house movie… that’s also set in space. Sigourney Weaver faces off against a man in a big rubber suit, and it’s one of the scariest movies of all time. Ridley Scott understands the Jaws lesson of showing less monster to get more scares. With one great sequel (3), one horrible sequel (Aliens) and one crazy sequel (Resurrection), I can’t wait to see what Scott does in the prequel. The original is an astounding film.

The other parts of the list:

The _0’s section

The _9’s section

The _8’s section

The _7’s section

The _6’s section

The _5’s section

The _4’s section

The _3’s section

The _2’s section

The _1’s section